South Asian Digital Art Archive

Memoryscape

Artist
Category

In the post-cinema era, creators have been pushing the boundaries of ambient storytelling, utilising advanced hardware to craft immersive experiences for their audiences. These embodied immersive experiences are rapidly expanding into consumer culture with the advent of the Metaverse. We are now able to create experiences that would be impossible in the real world. Mirza’s previous work has explored themes of home and place. In his recent projects, he juxtaposes heritage sites from the places he has lived, along with their atmospherics, and transports viewers into his chosen memories through fragmented visuals. Memoryscape is an initiative that sonically visualises personal memories using the medium best suited to its essence, as defined by its creator. Disintegrating visuals are scattered throughout the void. This piece manifests as an interactive project where viewers can rotate the camera to explore their surroundings. Stylised yet minimalist fragments of places evoke memories of the past—whether it’s the heritage neighbourhood and the bazaar culture of the artist’s shopping experiences inside the old walled city of Lahore, peaceful walks in Finnish forests, or a stroll through Helsinki’s iconic Senate Square during the Christmas season on cold, slushy winter nights. The physical distances between these locations span thousands of kilometres, yet fragments of their memories coexist virtually within this portrayal.

The project is externally hosted through itch.io. Follow the link below for the experience.

Type of Art

Virtual Reality

Theme

Identity
Memory & Archives
Adnan Mirza

Adnan Mirza

Pakistan

Adnan Mirza is a Helsinki-based multidisciplinary artist whose work explores “home” as a fluid and contested concept, shaped by migration between Lahore and Helsinki. Initially trained as a painter, he transitioned into digital art through video game aesthetics, a shift that mirrored his own relocation from Pakistan to Finland. His practice examines colonialism, spatial politics, and the ethics of belonging, often probing how memory distorts places and identities.

Working across drawing, software-aided images, video, and immersive installations, Mirza treats mediums as active narrators rather than passive tools. By merging contemporary art aesthetics with software-driven processes, his work transforms glitches, pixels, and virtual landscapes into metaphors for cultural fracture. He holds an MA in Media Art from Aalto University and a BFA from NCA Lahore.

You might also be interested