South Asian Digital Art Archive

Form of Becoming

Category

When we access AI, we may encounter information about ourselves that has been collected and used to train or improve the AI system. This can include data such as our location, browsing history, search queries, messages and images, and more. Our desires, emotions, and experiences are fossilized as data on AI datasets and ready to be exposed to us, in any future moment. Since these data are being collected and multiplied, it is possible that trading has a seemingly endless life, which may be impossible to see an end to.

Deleted data only results in “losing access” to that information, which might be available for data archaeologists, and forensic analyzers to dig up at any given time. In this “speculative posthumanism”, our images translate into a “fossil being” as an “absolute essence” that is independent of our perception and ready to be exposed to us, in any future moment. We are dissolving and absorbing into, new emerging data landscapes of this “digital immortality” and becoming a site for media/data archaeology.

 

Year Published

2022

Type of Art

AI-Based Art

Theme

Identity
Posthumanism

Softwares Used

Latent Space Exploration with StyleGAN2

Credits

Danushka Marasinghe

Audience

Everyone

Danushka Marasinghe

Danushka Marasinghe

Sri Lanka

Danushka Marasinghe (b. 1985, Negombo, Sri Lanka) is a visual artist whose practice centers on moving images in expanded forms, combining video, installation, sound, and sculpture. His work examines surveillance, histories of violence, and the spectacle of public life, using layered imagery to bridge the visual and visceral. He holds a BVA from the University of Visual and Performing Arts in Colombo and an MA in Art & Design Studies from Beaconhouse National University, Lahore. Marasinghe has exhibited widely in Sri Lanka and abroad, including at the Museum of Modern and Contemporary Art Sri Lanka in Colombo, where his works were featured in major exhibitions such as The Foreigners (2023) and Total Landscaping (2024–25).

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