South Asian Digital Art Archive

Carpet No. 5 (Digital)

Artist

The artwork belongs to Shaheer Zazai’s acclaimed Digital Carpet series, a body of work that reimagines the cultural and historical significance of carpets through the medium of digital technologies. At the heart of the series lies an exploration of the deep relationship between gardens and carpets—two intertwined motifs that, across Islamic and South Asian traditions, symbolize paradise, order, and contemplative beauty. By mimicking the logic of carpet knotting within a word processing software, Zazai translates centuries-old textile practices into the language of the digital screen.

What emerges is a meditative and improvisational process: the designs may initially appear to echo traditional carpet patterns, yet they are in fact generated by numerical and algorithmic decisions made during composition. This tension between the familiar and the unfamiliar destabilizes assumptions about authenticity, craftsmanship, and cultural memory. The pixelated geometries both honor the aesthetics of handwoven traditions and question how heritage adapts when mediated by contemporary tools.

Through this digital re-weaving, Zazai invites viewers to reflect on how technology can become a vessel for preserving, transforming, and even reinterpreting cultural identity. The Digital Carpet series operates as both homage and critique—paying tribute to the artistry of textile traditions while suggesting that digital interfaces, like looms, are themselves sites of creativity, improvisation, and storytelling.

 

Year Published

2018

Type of Art

Digital Illustration

Theme

Identity
Memory & Archives

Softwares Used

Microsoft Word

Audience

Everyone

Shaheer Zazai

Shaheer Zazai

Afghanistan Canada

Shaher Zazai is a Toronto-based Afghan-Canadian artist whose practice spans painting and digital media. His work explores the shifting nature of cultural identity within contemporary geopolitical realities and the Afghan diaspora, often reflecting on how displacement, memory, and belonging intersect in everyday life.

In his digital works, Zazai reimagines traditional Afghan carpet designs through Microsoft Word, meticulously constructing intricate patterns using the program’s basic symbols and characters. This process translates the tactile language of weaving into the digital realm, serving as both a meditation on cultural continuity and a commentary on the impact of technology on tradition. His paintings further this exploration, creating layered visual narratives that blur the line between heritage and contemporary expression.

Zazai’s work has been exhibited across Canada and internationally, earning recognition for its unique interplay between craft, code, and cultural history. Through his practice, he aims to open dialogue about the complexities of identity in the context of migration, loss, and resilience. By embedding motifs of Afghan tradition into digital frameworks, he both preserves and transforms them—questioning what it means to carry culture across borders, screens, and generations.

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