South Asian Digital Art Archive

Translat

Artist
Category

The work uses the human voice as sonic graffiti, taking inspiration from the Sámi philosophy of placemaking. The recorded voices are narratives by people who have relocated; narrating their experiences via the landscape, objects and seasons while concealing their specific locations. The travelling voices inform themselves while leaving the listener ruminating over the notions of belonging, home, what makes a space a place, language as a vessel to convey meaning and accents that reveal and conceal identity at the same time. The voices, always in flux and moving around in the city of Oslo in the form of visual codes on transport modes are a metaphor to the question of what it means to arrive. Scan the QR codes to meet the voices:

 

Year Published

2017

Type of Art

Sound Art

Theme

Identity
Borders & Sovereignty
Language & Post-Truth

Credits

Khanabadosh, Mumbai and OCA, Oslo

Audience

Everyone

Farah Mulla

Farah Mulla

India

Farah Mulla is a multimedia artist based between Goa and Mumbai whose practice investigates sound, perception, and the sensory dimensions of experience. With a background in science, she explores how sound shapes human neurology, subjectivity, and the ways we construct meaning. Her work often engages with the human voice, field recordings, and acoustic phenomena to examine the invisible agency of sound and its influence on our environments and bodies.

Working across installation, performance, and experimental media, Mulla probes the thresholds of listening, drawing attention to how perception is mediated through different modes and contexts. By merging scientific inquiry with artistic experimentation, her practice creates immersive encounters that expand how sound and listening are understood as cultural and affective forces.

You might also be interested

Anhad

Sahej Rahal

Fortune Baby

Cassie Layton

Purring Table

Rabeeha Adnan