South Asian Digital Art Archive

All The Lines Became Invisible

Artist
Category

The work attempts to find ways and methodologies to observe the collective intelligence of trees, insects, spiders and other manifestations of emergence in natural ecologies. The subject of observation is a dense group of deodar trees. The inquiry was to map this network of trees and look at it mathematically and from a network theory perspective. The work also considers colonisation, politics and power in the Himalayan village of Gunehar.

 

 

Year Published

2019

Type of Art

Video Art

Theme

Identity
Posthumanism
Environment

Languages

English

Credits

Supported by 4TablesArtResidency

Audience

Everyone

Kaldi Moss

Kaldi Moss

India

Kaldi Moss (they/them) is a multidisciplinary artist whose practice spans sound, film, browser-based art, and bio art. Their work explores sense perception, time, networked systems, insect perception, and tree intelligence, engaging with ways of knowing beyond the human. Active within a community of engineers and technologists, Moss investigates alternative modes of knowledge production through experimental and collaborative practices.

Their video and installation works have been shown in exhibitions across Milan, Toronto, Dresden, Brighton, Delhi, Bangalore, Mumbai, Himachal, and Goa. Moss is a member of Cynk Collective, producing immersive audiovisual noise performances, and co-founder of NOTAAT with artist Puneet Jain. They also serve as Artistic Director at Walkin Studios, a multidisciplinary art studio and project space in Bangalore.

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